Tuesday, September 27, 2016

E-IR: ‘Hail, Caesar!’ and the Red Menace

"'Hail, Caesar!' and the Red Menace"
W. Alejandro Sanchez
Movie Review
E-International Relations
March 23, 2016
Originally published: http://www.e-ir.info/2016/03/23/movie-review-hail-caesar-and-the-red-menace/

Hail, Caesar!
Feb. 2016
Universal Pictures
‘Hail, Caesar!’ is a 2016 comedy film by Joel and Ethan Coen which has enjoyed financial and critical success since its February 5 release. For IR scholars, the film showcases a tense period of U.S. history: the 1950s. This decade was marked by growing tensions and incidents as part of the Cold War, the fear of a Soviet takeover of the U.S. government and the rise of McCarthyism. In view of the tense relations between the U.S. and the Russian Federation today, which Russian Prime Minister Dmitry Medvedev recently described as a “new Cold War,” ‘Hail, Caesar!’ becomes, unfortunately, very topical.
A brief synopsis of ‘Hail, Caesar!’ is necessary: The movie takes place in 1951, when a famous actor, Baird Whitlock (George Clooney), is kidnapped from a studio set in a fictitious Hollywood film company. Whitlock is taken to a beach house in Malibu, California, in which he meets his kidnappers, a group of screenwriters that call themselves The Future. They turn out to be a Communist faction who explain Whitlock their ideology in order to convince him to join them. At one point in the film, another actor, Burt Gurney (Channing Tatum), is revealed to also be a Communist. He and the other members of  The Future row a boat a few miles off the coast of Malibu where they encounter a Soviet submarine. Gurney (along with his dog) boards it as he defects to the USSR. His Future comrades suffer a different fate as they are arrested by the police, who also free Whitlock.
Red Hollywood
‘Hail, Caesar!’ provides a glimpse of what Hollywood was like in the 1950s. At the time, Washington feared that the Soviet Union was infiltrating all echelons of American society (i.e. the government, Hollywood, labor unions etc), with the goal of taking over the country. This paranoia prompted the rise of McCarthyism, named after U.S. Senator Joseph McCarthy who was known for his extreme anti-Communist endeavors. Communist witch hunts took place during the 1950s as thousands of Americans, thought to be Communists, were investigated and sometimes even imprisoned. The House of Un-American Activities Committee (HUAC), which operated from 1938 to 1975, took a prominent role throughout this period.
The Coen Brothers address the Red Menace head on as Hollywood was a major target of Washington’s surveillance operations. There was even a “Hollywood blacklist” – a name applied to the Hollywood workers (like screenwriters and producers) that the HUAC investigated because they were believed to be Communist spies or sympathizers who were implanting Communist ideologies in Hollywood productions.  A Slate.com analysis of ‘Hail, Caesar!’ does a good job comparing some of the members of the fictitious Future to real life individuals: “the group leader, played by Max Baker, is named John Howard Hermann, after the Hollywood 10’s John Howard Lawson, the leader of the Hollywood section of the Communist party during the early 1950s. Eagle-eyed viewers will also notice a dog named Engels, whose namesake is more obvious [as in Friedrich Engels].”
Another important issue worth discussing is the appearance of a Soviet submarine off the coast of California, well within U.S. territorial waters. I do not know of any submarines operating so close to the U.S. mainland during that decade, though there were incidents in which Soviet vessels entered the Western Hemisphere and came close to the U.S. Case in point: the Soviet vessels off the coast of Cuba during the  missile crisis. Another memorable incident was the loss of K-219 in 1986. This was a Soviet submarine that suffered an explosion and sank in the North Atlantic close to Bermuda.
Even though ‘Hail, Caesar!’ is set in the early 1950s, not much seems to have changed in Washington-Moscow relations, given the renewed tensions between the two global powers. Currently there are no suspicions that Hollywood, broadly speaking, has been infiltrated by Russian sympathizers. Nevertheless, I will acknowledge that conservative commentators routinely label the entertainment industry as “the liberal left.” Case in point, in his book Primetime Propaganda Ben Shapiro has accused Hollywood of trying to “shape America in their own leftist image.” Moreover, there have been recent cases of alleged espionage. One memorable case was that of Anna Chapman, a Russian national who lived in New York and who was arrested, along with nine other individuals, in 2010 as they were suspected of working for the SVR, a Russian intelligence agency.  She was sent back to Moscow that same year as part of a spy swap.
The Soviet/Russian Navy
The possibility of a Russian submarine entering U.S. territorial waters nowadays, portrayed in “Hail, Caesar!” deserves a greater discussion. In recent years, the Russian Federation has sought to increase its military might, which includes opening new bases (like in the Russian Arctic) and manufacturing new vessels for its Navy. In fact, the Russian Navy’s Pacific Fleet recently received a new submarine, theVladimir Monomakh. Moreover, there have already been instances of Moscow displaying its renewed strength in the Western Hemisphere. In 2008, Russian warships visited the Caribbean, docking in Caracas, Venezuela, and carrying out exercises with the local Navy. More recently, in January 2015, theViktor Leonov, a Russian intelligence vessel, docked in Havana, Cuba.
With that said, it is important to stress that there have been no, at least from what I can gather via open sources, incidents of Russian warships or submarines entering U.S. territorial waters, though it is true that Cuba is only 90 miles away from the Straits of Florida. Doing so would signify an escalation of tensions between Moscow and Washington, akin to if the U.S. opened a military base in Ukraine next to Crimea. Moreover, should a Russian submarine manage to reach Malibu, California, this would mean that it successfully evaded U.S. security systems (i.e. warships and Coast Guard vessels monitoring coastal waters, satellites, radars and intelligence operations). The implications of such an incident would prompt a major revision of the U.S. defense establishment.
Even though it is beyond the scope of this movie review, it is important to mention that in February, the Russian government filed a request to the U.S. to fly a surveillance plane over U.S. airspace as part of the 1992 Open Skies Treaty. The difference between this request and ‘Hail, Caesar!’ is that it is doubtful that Moscow requested Washington permission to pick up a defector via a submarine in California. Nevertheless, the point stands that nowadays there are (very limited) occasions in which the Russian military is allowed to enter the U.S.
Final Thoughts
“Hail, Caesar!” has enjoyed success at the box office.  The film has some entertaining comedic moments, however, its major contribution to the IR field is to remind us that the current tensions between the two global powers are nothing new. Accusations of Russian espionage have occurred for decades, though the 1950s paranoia of Hollywood implanting Communist ideas in films has morphed into the more traditional “learning state secrets” type of intelligence operations. Moreover, when Channing Tatum’s character boarded a Soviet submarine off the Californian coast, while fun to watch, this can be utilized to discuss Soviet/Russian naval technology in the 1950s and today.
As Prime Minister Medvedev declared, we are witnessing the start of a new Cold War, and the events of six decades ago are being recreated, albeit slightly different, today.

The author would like to thank Erica Illingworth, who is pursuing an M.A. in International Relations at the University of San Diego, for her helpful suggestions throughout the preparation of this review.

E-IR: Angelina Jolie Pitt at LSE: Can Actors Be Effective Educators?

"Angelina Jolie Pitt at LSE: Can Actors Be Effective Educators?"
W. Alejandro Sanchez
E-International Relations
June 2, 2016
Originally published: http://www.e-ir.info/2016/06/02/angelina-jolie-pitt-at-lse-can-actors-be-effective-educators/

Angelina Jolie Pitt has been appointed a visiting professor in practice at the Centre for Women, Peace and Security, part of the London School of Economics (LSE). Mrs. Jolie-Pitt’s newest distinction has not been without criticism, namely whether this is a LSE publicity stunt. This brings up an interesting issue: the role of Hollywood in IR education.
In addition to Jolie Pitt; Jane Connors, Amnesty International; Madeleine Rees, Women’s International League for Peace and Freedom; and Lord William Hague, former UK Foreign Secretary, have also been accepted. A LSE press release explains that the School ‘confers the title of Visiting Professor in Practice on persons who have appropriate distinction within their area of (non-academic) practice.’ These prominent individuals will be part of the Centre’s new MSc program on women, peace and security, a one-year course which starts this Fall. The Guardian explains that ‘visiting professors [will play] an active part in giving lectures, participating in workshops and undertaking their own research.’
The criticism against LSE’s decision to hire Jolie-Pitt focuses on whether it is a marketing ploy by the university to obtain media attention and to foster enrollment. For example, an op-ed in The Guardian argues that ‘if Professor Jolie Pitt acquired her academic title without a single formal academic qualification, and her fellow amateur’s gender insights do not promise to exceed the average gnat’s, is it worth investing one year and a lot of money in pointless study?’ Apart from her impressive filmography, Jolie Pitt, has had a long standing interest on the issue of refugees and the effects of conflict on civil society. Most notably, in 2012 she was named the Special Envoy of the UN High Commissioner for Refugees. Prior to this appointment, she was a UNHCR Goodwill Ambassador from 2001-2012. In 2003 she published a book based on her work with refugeesShe has also raised awareness about humanitarian crises by producing films. For example, in 2012 she directed ‘In The Land of Blood and Honey,’ a fictional story which centers in the Bosnian War. More recently, ‘First They Killed My Father: A Daughter of Cambodia Remembers’, another film that she is directing, addresses the human rights violations of the Khmer Rouge regime.
Hollywood productions, be them TV shows or films, are a standard tool utilized by members of academia when teaching IR courses. Case in point, the author of this post watched films like ‘Dr. Strangelove or: How I learned To Stop Worrying and Love The Bomb’ and ‘Gallipoli’ for classes that addressed Mutually Assured Destruction and World War I, respectively. In order to broaden the discussion of what will be the future of humanity, think tanks are looking towards fiction writing and Hollywood for novel ideas and foresights. For example, the Project for the Study of the 21st Century has published a series of fictional short stories where authors muse what the year 2030 will look like. Similarly, the Center for International Maritime Security  has also published short stories about future conflicts. Likewise, the Argentine think tank Centro Argentino de Estudios Internacionales recently issued an analysis of the BBC television show ‘War Room. Even more, the Atlantic Council created a project called The Art of the Future, which included analyses of the future of warfare. The initiative organizedseveral events in which artists, including comic book publishers and Max Brooks (the author of World War Z), interacted with members of the IR community.
Hollywood is an integral part of the IR world, including the jargon that scholars utilize. IR scholars routinely look to fiction for inspiration, to draw parallels and to speculate about the future. Additionally, it is not surprising to find Hollywood celebrities that support a plethora of causes: Leonardo DiCaprio is a well-known supporter of the fight against climate change; Emma Watson was appointed UN Women Goodwill Ambassador in 2014; while Actor Sean Penn interviewed Mexican kingpin Joaquin “El Chapo” Guzman. As for Angelina Jolie, her concern for refugees worldwide is unquestionable. The issue is whether this (strong) personal interest on an issue, in addition to some fieldwork, can translate into effective teaching.
Accepting non-academics to enhance a program’s pedigree is standard practice at universities. It is not surprising to find that retired diplomats, military officers or government officials teach seminars focusing on the issues that they worked on throughout their careers. Ultimately, the question is how well Jolie Pitt’s participation will help provide an effective education to LSE students. According to the Centre’s website ‘students will take the core courses [and will] choose further relevant courses from [other] departments.’ In other words, apart from taking classes with the professors in practice, they will also attend regular classes with LSE’s faculty members offering a balance blending scholarship and practitioner.
Angelina Jolie Pitt has not published a plethora of books and essays on peer reviewed journals on the issue of refugees in conflict zones. Nor has she spent decades working for a government or multinational agency that focuses on this issue. However, her own experiences can help graduate students learn more about the status of refugees and post-conflict areas, particularly in Africa, the Balkans and Cambodia. There is nothing wrong with accepting (not “hiring,” as this is an unpaid position) several Professors in Practice, so long as the entire faculty of a Masters program is not staffed exclusively by them. In fact, there is plenty of intellectual wealth to be gained from cross-pollination when it comes to teaching. After all, IR is an interdisciplinary field, where different points of view should be heard.
Certainly, there is a degree of publicity that influenced LSE’s decision to invite Jolie Pitt, but this should not be a reason to stop good intentions; like those of a renowned actress with a strong commitment to raising awareness about refugees.
*The author would like to thank Erica Illingworth for her helpful suggestions.